Antonio Pace: 25 years between corporate type and art

How do you approach the project for a corporate typeface? I start from a basic consideration: renouncing to the characterization of every verbal expression is equivalent to renouncing to a universe subliminal messages, packaged directly on the ontological plan of a brand. It must be said that making typefaces for the generic typesetting and making typefaces for identity systems is not at all the same thing. Every typographic … Continua a leggere Antonio Pace: 25 years between corporate type and art

Oded Yin, Ezer Yang

Who is Oded Ezer? What is your educational background? I’m a graphic designer and typographer and I’ve learned at the Bezalel Academy of Arts and Design in Jerusalem. Where does your interest in typography come from? Well… it’s like asking a football player why he plays football! (Laughs). When I was a child I used to look at signs on the streets, magazines and newspapers … Continua a leggere Oded Yin, Ezer Yang

Un libro per resistere. Intervista a Emilio Macchia.

Emilio Macchia è nato a Ravenna nel 1982. Vive e lavora tra Rotterdam e Maastricht. Diplomato all’ISIA di Urbino, è ricercatore presso il Dipartimento di Design alla Jan van Eyck Academie di Maastricht. Parallelamente all’attività di ricerca si occupa di progettazione grafica per l’editoria, di identità e comunicazione visiva per eventi culturali. Nel 2010 ha fondato assieme ad Alessandra Carini, Federico Bocchini e Stefano Terigi, … Continua a leggere Un libro per resistere. Intervista a Emilio Macchia.