Museum: a contemporary one

3 weeks ago i’ve been working  in Qatar and i had the chance to visit the National Museum. Well, (with the maximum respect), there’s not so much history footsteps in the desert, but i had to say that the Qatar national museum is probably one of the best designed museum in the world. Let’s not talk about the architecture side (fuckin unbelievable monsieur Nouvel, all … Continua a leggere Museum: a contemporary one

Articolo evidenziato

Antonia Skaraki

The chicken or the egg ? – well, in these packages… the chickens definitely steal the show! Enchanted by the power of stories and tales, we created a visual narrative… about 3 special chickens / heroines; Captain Mahe for free-range eggs, Madame Coco for bio eggs and Miss Nelly for barn-laid eggs. That’s how we added a human touch to the packaging: a touch that … Continua a leggere Antonia Skaraki

Sole Sans: il nuovo carattere per il Sole24ore

Il progetto di un nuovo carattere esclusivo per Il Sole 24 ore è stato sviluppato dalla Cooperativa Anonima Servizi Tipografici (CAST). Il Sole Sans doveva accordarsi stilisticamente al Sole Serif, il carattere disegnato nel 2010 per Il Sole da Luciano Perondi, oggi membro e co-fondatore di CAST. Inoltre doveva essere adatto a schemi, grafici e tabelle a corpi molto ridotti, ma doveva anche mostrare sufficiente … Continua a leggere Sole Sans: il nuovo carattere per il Sole24ore

Fabian De Smet

I found very intriguing the work of Fabian De Smet, a young and talented creative graphic designer, that started off very young as a legal graffiti artist in France. Fabian, how did you approach the project Tribute to Madiba? I started with quite a lot of research, making quite a lot of  drafts for the calculations, effects, trials. I had to try it first on some smaller prototypes, than I … Continua a leggere Fabian De Smet

Antonio Pace: 25 years between corporate type and art

How do you approach the project for a corporate typeface? I start from a basic consideration: renouncing to the characterization of every verbal expression is equivalent to renouncing to a universe subliminal messages, packaged directly on the ontological plan of a brand. It must be said that making typefaces for the generic typesetting and making typefaces for identity systems is not at all the same thing. Every typographic … Continua a leggere Antonio Pace: 25 years between corporate type and art